After Klaus Schulze left to do his own incredible solo work (post coming next week), Tangerine Dream spent 1971-1975 putting out their four best albums: Zeit, Atem, Phaedra, and Rubycon. Here's one track from each, because these songs are lo-o-ong. They're in consecutive order.
When hearing this work, it's understandable that core member Edgar Froese started as a sculptor and apprenticed with Salvador Dali; it's wonderfully evocative, tactile and surreal. The Tangerine Dream that was to later make soundtracks for Risky Business and hundreds of other bad movies was a whole other deal (not worse, just different. I like their corny synthy stuff from the eighties as well).
January 31, 2008
A Tangerine Dream Collection
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Risky Business would have just been another teen exploitation movie without Tangerine Dream's involvement. The story of an uptight, horny honky kid (feel free to use that as a band name) who temporarily convert his parents' home into a brothel is transformed by the music and the editing into a serious meditative experience. It manages to create a kind of cinematic experience which is the best of all: an experience which is difficult to explain or rationalize.
It's a score that surpasses the content of the movie. I felt the same way about Jonny Greenwood's score to "There Will Be Blood".
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